Tag Archives: seventh circle

Capaneus’s Hell

In canto 14, Dante and Virgil encounter a soul called Capaneus, through which the reader is introduced to a new concept. Barolini describes it: “Hell is a condition in which the soul is permanently oneself as one was on earth- unrepentant and unameliorated, with no hope of change or growth,” (Barolini). In other words, instead of considering Hell as a place for souls that are forced to pay for their sins in eternal anguish, Barolini refers to it as a “condition”. A condition is defined as a mindset, in this case, untouched and unaffected by the circumstances in which the soul dwells. Despite the horrific punishment Capaneus endures, his pride and confidence in himself as a warrior is unshaken. There is no possibility that his outlook will succumb to the ongoing pressure to repent. The eternal suffering, presence of demons and the cries of the anguished do not seem to bother Capaneus in the slightest. As Capaneus bluntly puts it, “…As I/ was alive, so am I dead,” (50-51). This arrogant demeanor is a clear example that when someone does not show evidence of guilt or remorse for any transgression they commit in their living days, it cannot be expected of them to do so when they descend into Hell.

In response to this superior attitude, Virgil retorts, ” ‘O Capaneus, since your pride is not extinguished, you are punished more; no punishment, other than your rage, would be suffering of a measure with your fury,” (62-5). Virgil wishes to express here that as long as Capaneus’s pride is still intact, this, in itself, is punishment enough for the soul. The anger and fury that embodies Capaneus because of his stubborness and possible belief that he does not belong in Hell will keep him in distress for all eternity. Therefore, Capaneus must be forced to deal with his crimes for all of eternity. Barolini summarizes this point by stating that the soul “…is stuck with its self”. Furthermore, he considers, “If the motto of the sinners here is that they are now what they always were, then in effect these sinners create their own Hell”. Capaneus’s perspective on his position in Hell entails the likelihood that all sinners are exactly as they were in the living world. With this in mind, the souls are making an illusion of a Hell that solely belongs to them. Although this does not exclude them from punishment, it seems far less cruel than the punishments forcefully inflicted upon them because they are choosing to remain as they have always been and as a result, are choosing their own destinies in Hell. This is especially appealing for the souls of the third subcircle within the seventh circle, where Capaneus dwells, because their sins pertain to violence against God. If their unchanging personas allow for a fabricated Hell, this, in turn, signifies that they’re evading and going against God’s punishments which He deems appropriate for the souls and are being punished by their own terms.

Dante and Virgil meet Capaneus, Title: Capaneus, Illustration by William Blake, Source: Danteworlds (UTexas)

Capaneous and Hells Design

As Virgil and Dante the pilgrim lower into the third ring of the seventh circle they are met with the damned souls who committed violence directly against God. It is a sandy terrain with no vegetation in which flames fall like snow from the sky (Inferno 14, 28). The souls are scattered about some moving around constantly, some crouched down, and some lying flat on their backs. The soul who sticks out to Dante the pilgrim is Capaneous who does not seem bothered by the flames like the rest. In response to Capaneus’ loud rambling, Virgil replies, “O Capaneus, since your pride is not extinguished, you are punished more; no punishment, other than your rage, would be suffering of a measure with your fury” (Inferno 14, 63). In other words, Capaneus’ rightful torment is that of his own creation because only he can create a hell that matches his own sins as a blasphemer. This idea is also supported in Barolini’s commentary with the quote by Capaneus stating, “As I was alive, so am I dead” (Inferno 14, 51). This line by Capaneus supports the notion that, “…we are our own hell” (Barolini). Capaneus’ special damnation supports this notion and helps Dante the pilgrim realize even more about the design of hell that God intended as he goes about his journey onto the right path.

The Coding of “Violence Against Nature”

In Canto XV, Dante traverses the lowest part of the seventh circle of the Inferno, the subcircle of violence against nature. The term  of ‘voilence against nature’ is for the sin of sodomy, which is known as the, “unspeakable sin” by Carolyn Dinshaw throughout her book, Getting Medieval. This sin is coded as ‘unmentionable’ or the sin ‘against nature,’ as Dinshaw explains, is because agents of the church did not want to give people ideas as to what the sin is, but rather that any sin of the sexual nature falls under it (3-12). This codification of sodomy groups same sex interactions with those of premartial sex, beastiality, and any other form of sex without the intent of procreation. This grouping decenters the common notion of queer sex as being exclusively same sex in the Middle Ages, but also queers any form of sex outside of the sanctity of marriage, but even within this unoffical codification of sodomy there seems to be a heirarchy of sevarity, which is why same sex lovers are found in violence against nature rather than lust where adulterers can be found. Also note that men are the main inhabitants if not the only inhabtants of this subcircle. The reasoning for this is because it is an attack on God’s perfect image of what is ‘natural.’ For a man to give up his masculinity in the act of same sex interactions and is seen as a threat on the structures of the patriarchial societial structures sanctioned by those in power, may they be secular or clergy, who are given their authority by  God.

 

Works Cited:

Dinshaw, Carolyn. Getting Medieval: Sexualities and Communites, Pre- and Postmodern. Duke University Press (1999). Print.

Sodomy as a greater sin than homicide and suicide

 

The image shows black and white vintage engraving by Gustave Doré, “Brunetto Latini”

I found this image browsing through the resources available at http://danteworlds.laits.utexas.edu

In canto XV Dante and Virgil continue their journey through the seventh circle of hell, far below the wall surrounding it. In the third ring, which is located at the very bottom of the seventh circle the pilgrim encounters the sinners which represent the worse form of violence – the sodomites. They are presented as extremely violent against nature. The sodomites suffer below those who committed the sin of homicide or suicide because of their hostile behavior towards nature and willfully violating self love and love of others. As a consequence of that disgraceful act the continuity of family but also community is seriously compromised.

The sodomites walk aimlessly without a break and always together, as a group, across the burning sand (the hot sand represents their inability to reproduce and consequently play a productive part in a society). Dante recognizes his former mentor among them – Brunetto Latini, who was born in Florence around 1220 and died in 1294. The pilgrim asks Latini to sit down with him and talk:

“…As much as I can, I beg you; and if

you wish me to sit down with you, I will do so, if he

over there permits it, for I am going with him.” (Canto XV, 34-36)

His mentor, however refuses to do so, because:

“…whoever in this flock stand still

for an instant, must then lie for a hundred years

without brushing off the fire that strikes him.” (Canto XV, 37-39)

The moral connection between their crime and long term punishment seems a little unclear to me but I assume that the author wants to emphasize that whoever commits this type of a crime or exposes himself to it even for a moment will suffer the repercussions for many years ahead.

Sodomites not only can’t stand still for a moment because the sand burns their feet but also they move their hands constantly to clean themselves off the small flakes of fire that falls on them. Besides, they wander in numerous groups, not alone and not in pairs as, for example the heterosexual lovers – Francesca and Paulo who are placed in the second circle. It clearly represents the character of sodomy as the sin that draws in not pairs but groups of sexual partners who willfully and boldly disobey the law of nature. What is more, they don’t damn themselves alone but they drag others into eternal punishment.

To sum up, it is obvious that Dante Alighieri allows the reader to see that the sin of sodomy has very negative social and spiritual consequences. In other words people who commit that sin are destructive to nature, God and community and their crime is considered as one of high seriousness that goes far beyond homicide and suicide.